All Fine Art Giclée Paintings by Curtis R Doll Jr - Fine Artist curtisrdolljr

All Fine Art Giclée Paintings by Curtis R Doll Jr - Fine Artist curtisrdolljr

All Fine Art Giclée Paintings by Curtis R Doll Jr - Fine Artist curtisrdolljr

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First time patrons receive
a 50% discount of
$250.00

After first purchase
each painting is
$500.00

Curtis R Doll Jr


"Explore the Fine Art Giclée Paintings by Curtis R Doll Jr, expounding timeless images merging the ancient world culture with that of the contemporary world."

As a teenager, I became fascinated seeing a series on electrical currents being traced throughout a landscape populated by ancient megalithic structures. "Cumulative evidence proves that megaliths and other ancient sacred places are actually attracting, storing, even generating their own energy field, creating the kind of environment where one can enter an altered state of consciousness." In art school, I simultaneously became enamored with the freedom of expression and the inspiration abstract imagery allows. And during this time, I began my spiritual journey through meditation, literature, music, poetry, and later, dance. Melding these captivating constructs has been a driving force beneath my creative process throughout my life.

Chelan Harkin: The heart is the path of experienced knowing rather than conceptual knowing. So it feels more resilient, and there’s no need, when you have an experience of the heart, there’s really no need to defend it as there can be with ideology. And it’s the path of empathy and deep compassion and tenderness and power. It’s all contaned within inspiration.

Scroll down and if you see a painting you might like, click on it to be taken to a larger view of that painting, then, if you wish, click on the painting on that page to be taken to the next painting in the series.

With thousands of paintings to choose from, these paintings are all experiments in color, texture, organic, and geometric form. But ultimately, my creative function is simply instinctual, based on my knowledge of compositional factors. Most paintings are 21" X 16" and are $290.85 USD (unframed), including shipping and tax, for first-time patrons; and $556.70 USD (unframed), including shipping and tax, for repeat patrons. When buying a painting(s), copy the code or codes beneath the painting(s), if there are more paintings than one you have chosen: example = experiment.5.b.9.6.a, experiment.3.c.9 - click on the contact button above right and paste the code(s), separated by a comma and a space, in the email subject and text areas, include your name, address, phone number in the text area and send; or click on the PayPal link below right.

If you are looking for a commissioned project or a piece of art of a specific size and or color scheme, I can do that. As a master colorist, with experience in creating color comps for a national wallpaper company as well as color designs for national stained-glass studios, it would be my pleasure to create a work of art to complement your interior. It is within my capabilities to produce an oversized work of art for a space of expanse in size. In the case of a larger format, please contact me with the size of the desired painting and the code beneath that specific painting or a painting you wish the commissioned piece to be based on, and I will get back to you with the total price for that painting. The maximum image size is 58" x 70" using Epson Cold Press paper, with 12 color pigment archival inks capable of capturing every possible color in existence, from the most subtle of colors to the most brilliant in the spectrum. Including matting and framing, the size can be increased to 70" x 82". But a much larger size can be achieved using a diptyque or triptych format to 82" x 250". Commissioned painting sales are final and non-refundable.

An additional charge will be added for framing, crating, and shipping. The return policy is negated for framed paintings. I will need to take the painting to a frame shop and cannot return the frame. So, be positive you absolutely 'love' the painting(s) you have chosen, if you want me to frame them for you,

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Our return policy is 14 days. Send the painting back to 127 John Street, Hanover, Pennsylvania 17331-3350 USA in the same packaging within 14 days, and if the painting is in its original condition, we will refund your money within 14 days of receipt. Just make certain not to tear the paper or get fingerprints and or smudges on the painting or the white border around the painting. A good rule of thumb is to wear gloves while handling the painting carefully in the absence of food or drinks nearby. Please keep out of reach of children. Unframed, the paintings are very fragile.





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Can starting a luxury art collection be simple and exciting? Imagine enhancing your space with stunning pieces that reflect your style. Starting with CurtisGraphics, you have the chance to own exquisite giclée paintings by Curtis R. Doll Jr. Not just art, these are award-winning works recognized worldwide. Why begin with CurtisGraphics? - Experience gained acclaim from the Art Academy of Paris. - Access stunning collections with detail-rich original paintings created to be printed in limited editions with the highest quality giclée printing process. - Affordable entry price paintings for first-time buyers, making fine art accessible. Dive into the art world, informed and inspired with CurtisGraphics. Can't afford a limited edition print? We have poster prints of each painting printed with the same high quality giclée printing process for $50.00 plus shipping and tax; $78.17 USD. How will you begin your collection journey?



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I adhere to the 7 Contrasts of Color as put forth by Johannes Itten (November 11, 1888, Südern-Linden, Switzerland - March 25, 1967, Zürich, Switzerland). 1). Hue Contrast: Observed differences designated by name; Cadmium Yellow, Salmon, etc. 2). Value Contrast or Light to Dark. The range of black through the gray scale to white. 3). Temperature Contrast or Cool to Warm or Cold to Hot; ex. hot orange to cold blue. 4). Complementary Contrast: Opposites on the color wheel and the most intense color contrasts. 5). Saturation Contrast or Intense Color to Muted Color: The intermixing of all colors from the most intense being the highest in saturation, to the most subtle, being the least saturated. 6). Simultaneous Contrast: When colors affect each other simultaneously in different regions of the color wheel, in such a way that they appear to become more pronounced. A muted red like Burnt Sienna with a muted gray-green on top of it simultaneously increases the optical chroma of red in the Sienna and the green in the gray-green. 6b). Successive Contrast: Happens in the brain of the viewer when one stares at a saturated color for a while and then looks away, the opposite color on the color wheel appears in the same shape and size. 7). Extension Contrast: Contrasts of proportion, placement of colors in spatial relationships, and focal point(s) optically inducing movement as well as quality and quantity.

The first comprehensive color wheel, a foundational tool in color theory, was developed by Sir Isaac Newton in 1666, based on his experiments with light and prisms, which revealed the spectrum of colors. Then, down through the ages, further scientific observations developed greater understanding into the optical appreciation of color with more in-depth psychological and symbolic nuances of color theory.

While Newton's work laid the groundwork, other scientists and artists, such as Johann Wolfgang von Goethe, Moses Harris, and Johannes Itten, further developed and refined the concept of the color wheel.

M. E. Chevreul (Born: August 31, 1786, Angers, France - Died: April 9, 1889, Paris, France) was a leading chemist during the 1800s in France and was the greatest living authority on animal fats. His chemical investigations also included research in coloring materials. At the age of 38 in 1824, he was named by King Louis XVIII, Director of Dyes for the Royal Manufactures of Tapestries at the Gobelins in France.

Michel Eugène Chevreul, (1839) wrote the seminal work on color theory: De la loi du contraste simultané des couleurs et de l'assortiment des objets colorés; (On the law of simultaneous contrast of colors and the assortment of colored objects), - translated into English by Charles Martel as The principles of harmony and contrast of colours (1854), Michel Eugène Chevreul, (1855), The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts (2 ed.). This work influenced the impressionists.



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Discover the magic of Curtis R. Doll Jr.'s artistic journey with CurtisGraphics! Explore how his fine art giclée paintings evolved, capturing beauty and detail like no other. From recognized excellence to a commitment to quality, CurtisGraphics celebrates and shares his artistry with you. Curious minds and art lovers, don't miss this insightful glimpse into the making of a creative masterpiece. Take a look and let the art inspire you.



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What's the secret behind a stunning limited edition fine art painting printed in giclée? At CurtisGraphics, we're dedicated to capturing the intricate beauty of original artworks through our exquisite giclée prints. But what goes into this process? - High Resolution: Starts with a high-res digital file created as an original, unique painting for extraordinary detail. - Archival Inks: We use intense color and fade-resistant inks to complement and synthesize the colors of the original digital painting created by Curtis R Doll Jr. - Quality Paper: Heavy 100% acid-free rag fine art paper ensures longevity and elegance. - Precision Printing: Meticulous in every detail by our printing process. Now it's your turn: - Which detail do you think makes the most impact on the final piece? Vote Now! - Meticulously Crafted, Original, Unique Digital Painting - High Resolution - Archival Inks - Quality Paper - Precision Printing?



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These works are termed paintings because they each have been individually created by Curtis as original, unique works of art with a breadth of colors, and technical applications of the colors, various drawing and painting tools and techniques, linear and textural effects, and blending subtleties created by hand application with the mouse and the overall complexity differentiating these paintings from traditional flat fine art prints. This new ingenious artful late 20th early 21st centuries Photoshop File - Giclée Printed Painting Technique is a medium that is cutting-edge with a virtually limitless range of creative possibilities reaching far into the future.



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Unlike commercial photographed reproductions of pastel, watercolor, and oil paintings printed in Giclée that are no longer original works of art, but simple photographed reproductions and which are printed in mass by the hundreds or even thousands, the Digital Giclée Printed Paintings created by Curtis R Doll Jr are truly Limited Editions of 75 plus 5 Artist Proofs. They are Digital Paintings created on his computer as original works of art in this pre-eminent late 20th to early 21st Century medium. Once the 75th painting in each edition is printed, signed, titled, and numbered with Curtis' seal printed on them to distinguish them from pirated prints of inferior quality, all-digital .tif files used to print said series are securely deleted into cyberspace and exist no longer. Only a .jpg and a .psd file are retained for future reference. Each of these works of art is painted at full-scale image size 21" x 16" at 350 ppi resolution and reformatted to 300 ppi for printing. With the title, seal, and signature, and edition number at the bottom and a white one-inch border, they measure 23" x 18" or 18" x 23" depending on a vertical or horizontal format. Fine Art Museum measurements are always height before width. Plus, they are each accompanied by a certificate of authenticity.



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Giclée (pronounced Gee'clay) is a French term meaning to spray, which is how an inkjet printer works. However, it is not the same as a standard desktop inkjet printer, and is much larger and more detailed. Giclée prints can be a little over a meter wide and are printed on high-quality archival papers with a maximum image size of 58" x 70". Giclée is the best way to produce detailed, high-quality archival limited editions of fine art and photography.

Only brand-name, special light-fast pigment inks are used. There are 12 colors, together achieving every possible highest saturated color and color subtlety in this world. These inks are archival certified and, if treated properly, will last more than a lifetime. The paper used is 100% acid-free rag, which means the pigment inks and paper will last for lifetimes and can be handed down from generation to generation.

Once 75 numbered and signed prints of an edition are produced, the digital files used for printing are permanently deleted. This ensures authenticity and prevents the creation of inferior, unauthorized prints. The edition number (e.g., 1/75) is used to distinguish prints within the edition. Curtis' seal is printed on the 75 prints to further guarantee authenticity.



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The Lark Ascending Poem


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The Womb


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The Tempest


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The Mirror


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The Lark Sojourns


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Curtis R Doll Jr.'s Digital Giclée Printed Paintings are limited editions, unlike mass-produced commercial Giclée reproductions of pastel, watercolor, and oil paintings. They are limited to 75 numbered prints plus 5 artist proofs. This scarcity and the artist's direct involvement in their creation distinguish them from generic photographic reproductions.

Here's a more detailed explanation:

Limited Edition:
A limited edition print has a fixed quantity, making each print more valuable and sought-after.

Artist Proofs:
Artist Proofs are designated as AP produced in a small quantity, often outside the main limited edition run.

Original vs. Reproduction:
A true original print is created by the artist, with hand-made processes, while a reproduction is a mechanically produced copy.

Giclée Printing:
Giclée prints are high-quality digital prints produced on archival paper or canvas. They are often considered a high-quality alternative to traditional prints.

Commercial Reproductions:
Mass-produced commercial Giclée prints are often made by photographing existing paintings and then printing them digitally. These are not considered original works of art.

In essence, Curtis R Doll Jr.'s prints are not reproductions; they are carefully crafted, limited editions that retain the artist's signature touch and value.



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The statement above distinguishes between two types of Giclée prints: mass-produced, commercially available photographic reproductions and Curtis R. Doll Jr.'s Digital Giclée Printed Paintings. The latter are characterized as true limited editions, with a production run of 75 plus 5 Artist Proofs, unlike the mass-produced photographic reproductions that are not considered original works of art.

Here's a breakdown:

Mass-produced Giclée prints:
These are often created by photographing existing artwork (pastel, watercolor, oil paintings) and then printing them using Giclée technology in large quantities (hundreds or thousands). They are not considered original works of art because they are not created directly by the artist.

Curtis R. Doll Jr.'s Digital Giclée Printed Paintings:
These prints are produced in limited editions of 75 plus 5 Artist Proofs. This means that only a specific number of prints will ever be produced, with 5 additional prints specifically for the artist. This limited production and the artist's involvement in the creation process are key factors that differentiate them from the mass-produced versions and make them considered original works of art.



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These works are in themselves "Metaphysical Symbols." Form and color combine, unite, and harmonize to create heartfelt impressions of life. The concept of inner radiating light plays an integral role in the development of these images. This light emanates from within a counterpoint of darkness and shadow. In some of these images, the light is radiating from without almost hiding the shadow. In others, the light is hidden within the darkness and is virtually unseen. The light expresses all the positive forces of human nature; growth and expansion, the power of intellect, and most importantly, the power of transcendental love. The darkness elicits the dark forces of human nature. Ironically, we cannot have one without the other. The darkness increases the beauty of the light just as negativity contrasting benevolence enhances the joy one experiences by doing a good deed. It is an eternal paradox.

Curt has been a professional, working artist since 1977.

© 2025 CurtisGraphics All Rights Reserved

The Lark Ascending

On-line Awards

A Prayer



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Although I continue my studies of scientific thought as well as theoretical ideas as they pertain to art, ultimately my primary concern is the expression of the human spirit and how we relate to our God. My personal experience has been that, although my use of color is based on what I have learned through scientific theory, while in the act of creating, my knowledge and understanding of the practical use of color is transcended by my inner longing for an ever-deepening relationship with my beloved best friend who is my God.

Résumé Vitaé

Curtis R Doll Jr., artist and designer at CurtisGraphics, developed from his Fine Art Painting career, is an 1998 inductee into the Alpha Beta Kappa National Honor Society with an Associate Degree in Advanced Digital Design from The Bradley Academy for the Visual Arts.

In 1977, he was an honors graduate of Fine Art from The York Academy of Art, specializing in painting.

Curtis has 48 years of professional experience as a visual artist.

During that time, he designed monumental architectural stained glass windows nationwide.

Since 1998, he has digitally enhanced, manipulated, and restored photographs.

His areas of expertise include producing paintings in mediums consisting of pastels, oils, acrylics, gouache, and watercolor, and since 1998, giclée fine art paintings.



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experiment.4.b.9.9.2


experiments

experiment.4.b.9.9.1


experiments

experiment.4.b.9.9


experiments

experiment.4.b.9.8


experiments

experiment.4.b.9.7


experiments

experiment.4.b.9.6


experiments

experiment.4.b.9.5


experiments

experiment.4.b.9.4


experiments

experiment.4.b.9.3.b


experiments

experiment.4.b.9.3


experiments

experiment.4.b.9.2


experiments

experiment.4.b.9.1


experiments

experiment.4.b.9


experiments

experiment.4.b.8


experiments

experiment.4.b.7


experiments

experiment.4.b.6


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experiment.4.b.5


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experiment.4.b.4


experiments

experiment.4.b.3


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experiment.4.b.2


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experiment.4.b.1


experiments

experiment.4.b


experiments

experiment.3.b.9.9.9


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experiment.3.b.9.9.8


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experiment.3.b.9.9.7


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experiment.3.b.9.9.6


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experiment.3.b.9.9.5


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experiment.3.b.9.9.4


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experiment.3.b.9.9.3


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experiment.3.b.9.9.2


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experiment.3.b.9.9.1


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experiment.3.b.9.9


experiments

experiment.3.b.9.8


experiments

experiment.3.b.9.7


experiments

experiment.3.b.9.6


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experiment.3.b.9.5


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experiment.3.b.9.4


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experiment.3.b.9.3


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experiment.3.b.9.2


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experiment.3.b.9.1


experiments

experiment.3.b.9


experiments

experiment.3.b.8


experiments

experiment.3.b.7


experiments

experiment.3.b.6


experiments

experiment.3.b.5


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experiment.3.b.4


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experiment.3.b.3


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experiment.3.b.2


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experiment.3.b.1


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experiment.3.b


experiments

experiment.2.b


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experiment.2.b.9.9.9


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experiment.2.b.9.9.8


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experiment.2.b.9.9.7


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experiment.2.b.9.9.6


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experiment.2.b.9.9.5


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experiment.2.b.9.9.4


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experiment.2.b.9.9.3


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experiment.2.b.9.9.2


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experiment.2.b.9.9.1


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experiment.2.b.9.9


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experiment.2.b.9.8


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experiment.2.b.9.7


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experiment.2.b.9.6


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experiment.2.b.9.5


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experiment.2.b.9.4


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experiment.2.b.9.3


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experiment.2.b.9.2


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experiment.2.b.9.1


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experiment.2.b.9


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experiment.1.b.9.9.6.a.b


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experiment.2.b.8


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experiment.2.b.7


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experiment.2.b.6


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experiment.2.b.5


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experiment.2.b.4


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experiment.2.b.3


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experiment.2.b.2


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experiment.2.b.1


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experiment.1.b.9.9.9


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experiment.1.b.9.9.8


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experiment.1.b.9.9.7


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experiment.1.b.9.9.6


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experiment.1.b.9.9.5


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experiment.1.b.9.9.4


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experiment.1.b.9.9.3


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experiment.1.b.9.9.2


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experiment.1.b.9.9.1


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experiment.1.b.9.9


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experiment.1.b.9.8


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experiment.1.b.9.7


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experiment.1.b.9.6


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experiment.1.b.9.5


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experiment.1.b.9.4


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experiment.1.b.9.3


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experiment.1.b.9.2


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experiment.1.b.9.1


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experiment.1.b.9


experiments

experiment.1.b.8


experiments

experiment.1.b.7


experiments

experiment.1.b.6


experiments

experiment.1.b.5


experiments

experiment.1.b.4


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experiment.1.b.3


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experiment.1.b.2


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experiment.1.b.1


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experiment.1.b


experiments

experiment.9.a.9.9.9ab


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experiment.9.a.9.9.9


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experiment.9.a.9.9.8


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experiment.9.a.9.9.7


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experiment.9.a.9.9.6


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experiment.9.a.9.9.5


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experiment.9.a.9.9.4


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experiment.9.a.9.9.3


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experiment.9.a.9.9.2


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experiment.9.a.9.9.1


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experiment.9.a.9.9


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experiment.9.a.9.8


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experiment.9.a.9.7


experiments

experiment.9.a.9.6


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experiment.3.a.b


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experiment.9.a.9.5


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experiment.9.a.9.4


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experiment.9.a.9.3


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experiment.9.a.9.2


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experiment.9.a.9.1


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experiment.9.a.9


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experiment.9.a.8


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experiment.9.a.7


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experiment.9.a.6


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experiment.9.a.5


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experiment.9.a.4


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experiment.9.a.3


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experiment.9.a.2


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experiment.9.a.1


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experiment.9.a


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experiment.8.a.9.9.9


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experiment.8.a.9.9.8


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experiment.8.a.9.9.7


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experiment.8.a.9.9.6


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experiment.8.a.9.9.5


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experiment.8.a.9.9.4


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experiment.8.a.9.9.3


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experiment.8.a.9.9.2


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experiment.8.a.9.9.1


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experiment.8.a.9.9


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experiment.8.a.9.8


experiments

experiment.8.a.9.7


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experiment.8.a.9.6


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experiment.8.a.9.5


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experiment.8.a.9.4


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experiment.8.a.9.3


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experiment.8.a.9.2


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experiment.8.a.9.1


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experiment.8.a.9


experiments

experiment.8.a.8


experiments

experiment.8.a.7


experiments

experiment.8.a.6


experiments

experiment.8.a.5


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experiment.8.a.4


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experiment.8.a.3


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experiment.8.a.2


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experiment.8.a.1


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experiment.8.a


experiments

experiment.7.a.9.9.9


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experiment.7.a.9.9.8


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experiment.7.a.9.9.7


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experiment.7.a.9.9.6


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experiment.7.a.9.9.5


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experiment.7.a.9.9.4


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experiment.7.a.9.9.3


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experiment.7.a.9.9.2


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experiment.7.a.9.9.1


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experiment.7.a.9.9


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experiment.7.a.9.8


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experiment.7.a.9.7


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experiment.7.a.9.6


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experiment.7.a.9.5


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experiment.7.a.9.4


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experiment.7.a.9.3


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experiment.7.a.9.2


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experiment.7.a.9.1


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experiment.7.a.9


experiments

experiment.7.a.8


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experiment.7.a.7


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experiment.7.a.6


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experiment.7.a.5


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experiment.7.a.4


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experiment.7.a.3


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experiment.7.a.2


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experiment.7.a.1


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experiment.7.a


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experiment.6.a.9.9.9


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experiment.6.a.9.9.8


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experiment.6.a.9.9.7


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experiment.6.a.9.9.6


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experiment.6.a.9.9.5


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experiment.6.a.9.9.4


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experiment.6.a.9.9.3


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experiment.6.a.9.9.2


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experiment.6.a.9.9.1


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experiment.6.a.9.9


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experiment.6.a.9.8b


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experiment.6.a.9.8


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experiment.6.a.9.7


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experiment.6.a.9.6


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experiment.6.a.9.5


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experiment.6.a.9.3


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experiment.6.a.9.4


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experiment.6.a.9.2


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experiment.6.a.9.1


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experiment.6.a.9


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experiment.6.a.8


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experiment.6.a.7


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experiment.6.a.6


experiments

experiment.6.a.5


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experiment.6.a.4


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experiment.6.a.3


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experiment.6.a.2


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experiment.6.a.1


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experiment.6.a


experiments

experiment.5.a.9.9.9


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experiment.5.a.9.9.8


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experiment.5.a.9.9.7


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experiment.5.a.9.9.6


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experiment.5.a.9.9.5


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experiment.5.a.9.9.4


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experiment.5.a.9.9.3


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experiment.5.a.9.9.2


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experiment.5.a.9.9.1


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experiment.5.a.9.9


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experiment.5.a.9.8


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experiment.5.a.9.7


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experiment.5.a.9.6


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experiment.5.a.9.5


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experiment.5.a.9.4


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experiment.5.a.9.3


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experiment.5.a.9.2


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experiment.5.a.9.1


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experiment.5.a.9


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experiment.5.a.8


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experiment.5.a.7


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experiment.5.a.6


experiments

experiment.5.a.5


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experiment.5.a.4


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experiment.5.a.3


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experiment.5.a.2


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experiment.5.a.1


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experiment.5.a


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experiment.4.a.9.9.8b


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experiment.4.a.9.9.8


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experiment.4.a.9.9.9


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experiment.4.a.9.9.7


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experiment.4.a.9.9.6


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experiment.4.a.9.9.5


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experiment.4.a.9.9.4


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experiment.4.a.9.9.3


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experiment.4.a.9.9.2


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experiment.4.a.9.9.1


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experiment.4.a.9.9


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experiment.4.a.9.6


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experiment.4.a.9.8


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experiment.4.a.9.7


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experiment.4.a.9.5


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experiment.4.a.9.4


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experiment.4.a.9.3


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experiment.4.a.9.2


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experiment.4.a.9.1


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experiment.4.a.9


experiments

experiment.4.a.8


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experiment.4.a.7


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experiment.4.a.6


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experiment.4.a.5


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experiment.4.a.4


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experiment.4.a.3


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experiment.4.a.2


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experiment.4.a.1


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experiment.4.a


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experiment.3.a.9.9.9b


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experiment.3.a.9.9.9a


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experiment.3.a.9.9.9


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experiment.3.a.9.9.8


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experiment.3.a.9.9.7


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experiment.3.a.9.9.6


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experiment.3.a.9.9.5


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experiment.3.a.9.9.4


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experiment.3.a.9.9.3


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experiment.3.a.9.9.2


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experiment.3.a.9.9.1


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experiment.3.a.9.9


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experiment.3.a.9.8


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experiment.3.a.9.7


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experiment.3.a.9.6


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experiment.3.a.9.5


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experiment.3.a.9.4


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experiment.3.a.9.3


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experiment.3.a.9.2


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experiment.3.a.9.1


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experiment.3.a.9


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experiment.3.a.8


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experiment.3.a.7


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experiment.3.a.6


experiments

experiment.3.a.5


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experiment.3.a.4


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experiment.3.a.3


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experiment.3.a.1b


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experiment.3.a.1


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experiment.3.a.2b


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experiment.3.a.2


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experiment.3.a.a


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experiment.2.a.9.9.9.2


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experiment.2.a.9.9.9.1


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experiment.2.a.9.9.9


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experiment.2.a.9.9.8


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experiment.2.a.9.9.6


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experiment.2.a.9.9.5


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experiment.2.a.9.9.4


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experiment.2.a.9.9.3


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experiment.2.a.9.9.2


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experiment.2.a.9.9.1


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experiment.2.a.9.9


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experiment.2.a.9.8


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experiment.2.a.9.7


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experiment.2.a.9.6


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experiment.2.a.9.5


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experiment.2.a.9.4


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experiment.2.a.9.3


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experiment.2.a.9.2


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experiment.2.a.9.1


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experiment.2.a.9


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experiment.2.a.8


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experiment.2.a.8b


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experiment.2.a.7


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experiment.2.a.6


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experiment.2.a.5


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experiment.2.a.4


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experiment.2.a.3


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experiment.2.a.2


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experiment.2.a.1


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experiment.2.a


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experiment.1.a.9.9.9


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experiment.1.a.9.9.8


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experiment.1.a.9.9.7


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experiment.1.a.9.9.6


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experiment.1.a.9.9.5


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experiment.1.a.9.9.4


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experiment.1.a.9.9.3


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experiment.1.a.9.9.2


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experiment.1.a.9.9.1


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experiment.1.a.9.9


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experiment.1.a.9.8


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experiment.1.a.9.7


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experiment.1.a.9.6


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experiment.1.a.9.5


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experiment.1.a.9.4


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experiment.1.a.9.3


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experiment.1.a.9.2


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experiment.1.a.9.1


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experiment.1.a.9


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experiment.1.a.8


experiments

experiment.1.a.7


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experiment.1.a.6


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experiment.1.a.5


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experiment.1.a.4


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experiment.1.a.3


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experiment.1.a.2


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experiment.1.a.1


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experiment.1.a


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experiment.3c.9.9.9


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experiment.3c.9.9.8


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experiment.3c.9.9.6


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experiment.3c.9.9.5


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experiment.3c.9.9.4


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experiment.3c.9.9.3


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experiment.3c.9.9.2


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experiment.3c.9.9


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experiment.3c.9.8


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experiment.3c.9.7


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experiment.3c.9.6


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experiment.3c.9.5


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experiment.3c.9.4


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experiment.3c.9.3


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experiment.3c.9.2


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experiment.3c.9


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experiment.3c.8


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experiment.3c.6


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experiment.3q.9.9.4


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experiment.3q.9.4


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experiment.3q.9.3


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experiment.3x.9.9.7


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experiment.3x.9.9.4


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experiment.3x.9.9.3


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experiment.3q.9


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experiment.3q.8


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experiment.3q.6


experiments

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paleolithic.woman.2


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experiment.3q.4


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experiment.3q.3


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experiment.3q.1


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experiment.3o


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experiment.3f


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experiment_46n


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experiment_49zxy


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fracture_15


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fracture_12


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fracture_11


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fracture_30


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experiment_43


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experiment_701xz


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experiment_45_mnop


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experiment_45_ynm.1


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experiment_45_ynk


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experiment_501nm


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experiment_701


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experiment_501nmv


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experiment_31zbn


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experiment_17a1


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experiments

experiment_79


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experiment_49z


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experiment_49zx


experiments

experiment_49


experiments

experiment_46


experiments

experiment_45





Unlike commercial photographed reproductions of pastel, watercolor, and oil paintings printed in Giclée that are no longer original works of art, but simple photographed reproductions and which are printed in mass by the hundreds or even thousands, the Digital Giclée Printed Paintings created by Curtis R Doll Jr are truly Limited Editions of 75 plus 5 Artist Proofs. They are Digital Paintings created on his computer as unique original works of art in this pre-eminent late 20th early 21st Centuries Medium. Once the 75th painting in each edition is printed, signed, titled, and numbered with Curtis' seal printed on them to distinguish them from pirated prints of inferior quality, all-digital .tif files used to print said series are securely deleted into cyberspace and exist no longer. Only a .jpg and a .psd file are retained for future reference. Each of these works of art is painted at full-scale image size 21" x 16" at 350 ppi resolution and reformated to 300 ppi for printing. With the title, seal and signature and edition number at the bottom and a white one-inch border they measure 23" x 18" or 18" x 23" depending on a vertical or horizontal format. Fine Art Museum Paintings are always exhibited with height before width. They are each accompanied by a certificate of authenticity.

These works are termed paintings because they each have been individually created by Curtis as original, unique works of art with a breadth of colors, and technical applications of the colors, various drawing and painting tools and techniques, linear and textural effects, and blending subtleties created by hand application with the mouse and the overall complexity differentiating these paintings from traditional flat fine art prints. This new ingenious artful late 20th-century Photoshop File - Giclée Printed Painting technique is a medium that is cutting-edge with a virtually limitless range of creative possibilities reaching far into the future.

Giclée (pronounced Gee’clay) is a French term meaning to spray, which is how an inkjet printer works. However, it is not the same as a standard desktop inkjet printer, and is much larger and more detailed. Giclée prints can be a little over a meter wide and are printed on high quality archival papers with a maximum image size of 58" x 70". Giclée is the best way to produce detailed, high-quality archival limited editions of fineart and photography.

Only brand name, special light-fast pigment inks are used. There are 12 colors, together achieving every possible highest saturated color and color subtlety in this world. These inks are archival certified and if treated properly, will last more than a lifetime. The paper used is 100% acid free rag which means the pigment inks and paper will last for lifetimes and can be handed down from generation to generation.

These works are in themselves "Metaphysical Symbols." Form and color combine, unite, and harmonize to create heart-felt impressions of life. The concept of inner radiating light plays an integral role in the development of these images. This light emanates from within a counterpoint of darkness and shadow. In some of these images, the light is radiating from without almost hiding the shadow. In others, the light is hidden within the darkness and is virtually unseen. The light expresses all the positive forces of human nature; growth and expansion, the power of intellect, and most importantly, the power of transcendental love. The darkness elicits the dark forces of human nature. Ironically, we cannot have one without the other. The darkness increases the beauty of the light just as darkness contrasting benevolence enhances the joy one experiences by doing a good deed. It is an eternal paradox.

Curt has been a professional, working artist since 1977.

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The Lark Ascending

On-line Awards

A Prayer



The Lark Ascending

Out of abyss emerges the matrix
Primordial egg of existence
Diaphanous womb of our universe
Permeated by luminous power of celestial origin

Tempest is released from its fetters
Instantaneous collisions of energy thunderclap
Pristine semina of duality take their stance
Origin of diversity begins

Mirror of endless contemplation crystallizes
As the chrysalis manifests itself
An entity of reflection,
Of spiritual longing takes form

Olamic metamorphosis impels cyclical inertia
Causation begins

Entrails of the nucleus expand and
Break apart releasing the monad
The lark ascends

An ecstatic paean issues forth
Venerating innocence with increasing charm
As resonance illumines Lydian Measures

The lark sojourns
Till elixirs of lengthening vigilance overflow
Then resumes its journey

Curt Doll

(After the Musical Composition
by Ralph Vaughan Williams)

The Lark Ascending music by Ralph Vaughan Williams was composed in 1914 and revised in 1920. A musical composition for solo violin, The Lark Ascending is described as a pastoral piece depicting pre war England. However, taking into account the spiritual depth of his symphonic music, I personally perceive The Lark Ascending to evoke a deeper longing for the discovery of ones own inner being.

As a graduate of Fine Art from the York Academy of Arts in 1977, I have been a lover of fine music, art and literature all of my life. The Lark Ascending Poem was inspired by the sublime violin composition by Ralph Vaughan Williams. It is my intention to reveal the interconnectedness between the arts; music, poetry and visual art by incorporating visual images along with this poem. The imagery and the poem are best appreciated when viewed and read while listening to the music.
Ballet is implied by the final line in the poem.

2002 "The Lark Ascending" Poem was included in the International Library of Poetry Anthology: "The Solace of Night" Published by Watermark Press, One Poetry Plaza, Owings Mills, MD 21117

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